Art and Technology in the Nineteenth and Twentieth Centuries, Pierre Francastel Marilena Pateraki
Although the work of Pierre Francastel has long carried the label “sociology of art,” it bears little resemblance to anything conventionally sociological. For too long, Francastel has been unavailable to English-language readers and hence known only through erroneous and second-hand characterizations. The translation of Art and Technology should open the way for a rediscovery and reconsideration of this brilliant, often misunderstood thinker.
Για περισσότερα δες εδώ.