Καλλιτεχνικά Έργα
“Αντιδαρβινικά Όνειρα” πλημμυρίζουν το Sozopolis
"Το Αντιδαρβινικό Όνειρο", μια νέα διακαλλιτεχνική έκθεση που θα προοδεύει κλιμακωτά και άναρχα, ενσωματώνοντας συνεχώς νέα έργα, μόλις ξεκίνησε στο Sozopolis. Πρόκειται για μια πολύμορφη σύμπραξη δεκάδων καλλιτεχνών που θέλει να διαισθανθεί το τέλος...
Robel Temesgen: Practising Water, Kunsthall Oslo [3/3–16/4/2023]
Kunsthall Oslo is very pleased to present Robel Temesgen’s solo exhibition Practising Water: Report #1. This is the first public manifestation of the artist’s long-term research project exploring the connections between...
Valie Export: Oh Lord, Don’t Let Them Drop That Atomic Bomb on Me, Kunsthaus Bregenz [4/3– 10/4/2023]
Tubes hang from the ceiling. Galvanized organ pipes dangle like stalactites from above, others cast slender, pointed shadows onto the glass walls. In addition to these, smaller ones made of...
Onassis AiR Open Call 2023/24 [Submit your application by 20/3/23]
A residency program that focuses on the process and is designed according to the participants’ needs. Like any living organism, Onassis AiR constantly evolves in order to support the needs of...
Dare to Know: Prints and Drawings in the Age of Enlightenment, R.H. Lossin, δημοσίευση στο e-flux [28/2/2023]
Harvard Art Museums, Cambridge In 1784 a Berlin newspaper invited responses to the now-familiar question “What is Enlightenment?” Immanuel Kant’s reply retained the question as its title: a choice which has contributed...
The Physical Labor of Writing, Louis Bury, δημοσίευση στο Hyperallergic [3/3/2023]
Renee Gladman, “Grasses 4” (2022), graphite and oil pastel on paper, 22 inches x 30 inches (all photos by Filip Wolak, courtesy Artists Space, New York) Many writers will tell you...
On the Same Frequency as Milford Graves, Anne Wallentine, δημοσίευση στο Hyperallergic [3/3/2023]
Philippe Gras, "Milford Graves at the Festival d'Automne à Paris" (1974), black and white photograph (all photos Anne Wallentine/Hyperallergic) The jazz drummer’s polymathic experimentation also spanned visual art, botany, and even...
‘Drum Listens to Heart’ Intuits the Unheard Rhythms of our Lives, Tausif Noor, δημοσίευση στο Frieze [3/3/2023]
Milford Graves, Pathways of Infinite Possibilities: Skeleton (detail), 2017 installation view. Courtesy: the Estate of Milford Graves; photograph: Impart Photography A three-part exhibition at CCA Wattis Institute for Contemporary Arts, San...