Καλλιτεχνικά Έργα
Rammellzee’s Gothic Futurism, Claudia Ross, δημοσίευση ArtReview [1/2/2023]
In the Middle of Robbin the Bank the Dam Yard Bizzard Hits Us (detail), 1983, spray paint and marker on cardboard, in three parts, 81.28 x 12.7 x 311.15 x...
Majd Abdel Hami’s Embroideries Track the Process of Healing in the Aftermath of Beirut’s Tragedy, Digby Warde-Aldam, δημοσίευση ArtReview [30/1/2023]
Majd Abdel Hamid, 800 meters (how long was the thread) Xiii, 2022, cotton thread, 36 x 25 cm. Photo: Aurélien Mole. Courtesy the artist and GB Agency, Paris In 800 Meters and...
Lego by Constantina Scapetoulia, The Project Gallery, Opening 9.2.2023 || 19.00 – 22.00- Duration 9.2.2023 – 2.3.2023
Lego by Constantina Scapetoulia Opening 9.2.2023 || 19.00 - 22.00 Duration 9.2.2023 - 2.3.2023 Hours: 12.00 - 20.00
The Heart’s Knowledge: Science and Empathy in the Art of Dario Robleto, The Block Museum, δημοσίευση στο Hyperallergic [27/1/2023]
Detail of Dario Robleto’s “Unknown and Solitary Seas (Dreams and Emotions of the 19th Century)” (2018), earliest waveform recordings of blood flowing from the heart and in the brain during...
Onsite Gallery Presents more-than-human, OCAD University, δημοσίευση στο Hyperallergic [31/1/2023]
Rasa Smite & Raitis Smits, “Atmospheric Forest” (2020), still from immersive VR installation From February 1 through May 13, more-than-human at Onsite Gallery, OCAD University presents media art at the intersection of art,...
Ruth Asawa, Without End, Ekalan Hou, δημοσίευση στο Hyperallergic [31/1/2023]
Close-up of The Faces of Ruth Asawa (2022) (photo by Andrew Brodhead, courtesy the Cantor Arts Center) STANFORD, Calif. — The 233 masks that originally hung on the exterior of Ruth...
Eco-Artists Imagine a More Symbiotic Future, Rachel M. Tang, δημοσίευση στο ArtReview [30/1/2023]
Gilberto Esparza, Plantas autofotosinthéticas (Autophotosynthetic Plants), 2013–14, polycarbonate, silicon, stainless steel, graphite, electronic circuits, local wastewater, natural pond water with microalgae and microorganisms, plants, shrimp, fish, sound, 400 × 400...
How Do We Embody Natural Spaces? Rachel Harris-Huffman, δημοσίευση στο Hyperallergic [30/1/2023]
Nicola López, "Apparition II" (2019), collagraph on archival inkjet print on paper, published by LeRoy Neiman Center for Print Studies (courtesy the Albuquerque Museum) Nicola López and Paula Wilson: Becoming Land at...