Καλλιτεχνικά Έργα
Required Reading, Hrag Vartanian και Lakshmi Rivera Amin, δημοσίευση στο Hyperallergic [20/1/2023]
© Dylan Perrenoud; photos by Dylan Perrenoud, courtesy Bureau Adrian Anagnost writes for Bloomberg that the Modernist design of Brazil’s Presidential Palace, mobbed in early January in an echo of...
Abstract Art Did Not Begin With Paul Cézanne, John Yau, δημοσίευση στο Hyperallergic [19/1/2023]
Odili Donald Odita, "Time and Space" (2022), acrylic latex paint on aluminum-core fabricated wood panel with reconstituted wood veneer, 50 x 50 x 3/4 inches (all images © Odili Donald...
Hard Truths: Can an Activist Smear Food on Art Without Consequences? Chen & Lamper, δημοσίευση στο Art in America [19/1/2023]
ILLUSTRATION BY BARBARA KELLEY With a world in crisis and an art market spinning out of control, ace art-world consultants Chen & Lampert deliver hard truths in response to questions sent...
Θοδωρής Χρυσικός – Rise into Ruin: Έκθεση στην Art Appel Gallery [12/1-4/2/2023]
Η σειρά των έργων “Rise into Ruin” αποτελεί τον καρπό της πολυετούς συνομιλίας του καλλιτέχνη, Θοδωρή Χρυσικού, με το έργο του Walter Benjamin πάνω στην έννοια του αλληγορικού ερειπίου. Τα έργα της έκθεσης θέτουν, τόσο σε...
Morris Hirshfield Worked Most of His Life as a Tailor—Here Are 3 Things to Know About the Self-Taught Artist Who Was Revered by the Surrealists and Is Now a Museum Star, Annikka Olsen, δημοσίευση στο Artnet News [19/1/2023]
Hirshfield Morris, Tiger (1940). Collection of the Museum of Modern Art, New York, Abby Aldrich Rockefeller Fund. © 2023 Robert and Gail Rentzer for Estate of Morris Hirshfield / Licensed...
At the Japanese American National Museum, a Book Becomes a Monument, Sharon Mizota, δημοσίευση στο Hyperallergic [17/1/2023]
Volunteer Barbara Keimi stamps the Ireichō at the Japanese American National Museum (photo by Mike Palma; courtesy JANM) LOS ANGELES — As traditional monuments are graffitied,
Hsin-Chien Huang Reimagines Virtual Reality at Pratt Manhattan Gallery, δημοσίευση στο Hyperallergic [17/1/2023]
Hsin-Chien Haung, still from “Samsara” (2021), virtual reality installation (image courtesy the artist) On January 30, Barbara London will moderate an expansive conversation on how artists have...