Καλλιτεχνικά Έργα
Doses of Relief in Ibrahim El-Salahi’s Drawings of Pain, Rebecca Schiffman, δημοσίευση στο Hyperallergic [8/1/2023]
Ibrahim El-Salahi, "Pain Relief Drawing" (2016-2018), pen and ink on medicine packets and envelopes, 4 3/4 x 4 3/4 inches, (courtesy the artist and Salon 94, New York; all images...
On the Limits of Healing Can anyone truly heal from a traumatic experience? Nina Mdivani, δημοσίευση στο Hyperallergic [8/1/2023]
Installation view of YOYI! Care, Repair, Heal at Gropius Bau, Berlin. Pictured: Kader Attia, "On Silence" (2022), protheses (all photos Nina Mdivani/Hyperallergic) BERLIN, Germany — How can we define healing when...
58th Carnegie International Review: Art Show or Living Body? Evan Moffitt, δημοσίευση στο ArtReview [3/1/ 2023]
Mockup of Banu Cennetoğlu, right?, 2022, string, helium and Mylar balloons, dimensions variable. Courtesy the artist and Rodeo Gallery, London & Piraeus The 58th edition, Is it morning for you yet?, attempts...
Parallel Art Shows in London and Berlin Conjure Up Political Utopias… Using A.I. and Celebrity Deepfakes, Kristian Vistrup Madsen, δημοσίευση στο Artnet News [6/1/2023]
Christopher Kulendran Thomas "Another World" at Institute of Contemporary Arts London. This will sound terribly jaded, but, in the spirit of honesty: artists Annika Kuhlmann and Christopher Kulendran Thomas presented two...
Lost (and Found) Artist Series: Katarzyna Kobro Art & Life of the Once-Overlooked Avant-Garde Sculptor, Shira Wolfe, δημοσίευση στο Artland Magazine
Katarzyna Kobro, Spatial composition 4, 1929 © Ewa Sapka-Pawliczak & Muzeum Sztuki in Łódź Katarzyna Kobro was an important figure of the Polish avant-garde, whose work and contribution to modernism for...
Lolo & Sosaku: “We Are the Mechanics for the Artist Machines” Ross Simonini, δημοσίευση στο ArtReview [5/1/2023]
‘2a Metal’, 2021 (installation view, Night Time Story, Los Angeles, 2021) “We have a lot of feelings with them, but some of them are very cold and they don’t even look...
‘Membranes Out of Order’, examining multiple perspectives of engagement emerging from art, biotech & ecology, Lyndsey Walsh, δημοσίευση στο CLOT Magazine [6/1/2023]
Membranes Out of Order. Installation view. Photo: Ivonne Thein Responding to the uses (and potential misuses) of biotechnology and the interwoven socio-political, biological, and cognitive connotations of their implementation,