Καλλιτεχνικά Έργα
How Do We Conserve Ephemeral Performance Art for the Future? Bryony White, δημοσίευση στο ArtReview [21/12/2022]
Marilena Pateraki2022-12-27T11:40:25+02:00
Anthea Hamilton, Kabuki, 2012, performed as part of Art In Action, The Tanks, Tate Modern. © Tate, Photo: Tate Out of the Margins: Performance in London’s Institutions 1990s – 2010s at London’s...
What Happens When Art Becomes a Luxury Accessory? Martin Herbert, δημοσίευση στο ArtReview [21/12/2022]
Marilena Pateraki2022-12-27T11:35:58+02:00
Galerie Krinzinger at Art Basel Miami Beach 2022. Courtesy Art Basel From ‘NGO aesthetics’ and OKish painting to the increasingly blurred lines between culture and high-end lifestyle: 2022 in the artworld To...
Mια εγκατάσταση σε σχήμα ματιού κοιτάζει τους ανθρώπους στη Μαδρίτη, δημοσίευση στο Olafaq [22/12/2022]
Marilena Pateraki2022-12-27T11:31:01+02:00
Η ομάδα Brut Deluxe συμμετέχει στο πνεύμα της εποχής με μια εγκατάσταση σε σχήμα ματιού που ονομάζει "IRIS", όπου μια δέσμη φώτων κρέμεται πάνω από την Plaza Canalejas...
Taking Landscape Painting to New Heights, Sommer Browning, δημοσίευση στο Hyperallergic [26/12/2022]
Marilena Pateraki2022-12-27T07:01:59+02:00
an Fisher, “Atmosphere No. 157 (Influence)” (2022), oil on canvas, 96 inches x 204 inches (all photos courtesy RedLine Contemporary Art Center) DENVER — The paintings in Carey Fisher are as expansive and...
David Hockney to Inaugurate Lightroom, London’s New Home for Spectacular Artist-Led Shows, Balasz Takac, δημοσίευση στο Widewalls [23/12/2022]
Marilena Pateraki2022-12-26T21:31:31+02:00
In early 2023, London will see an opening of a brand new art center - Lightroom, an extraordinary four-story-high space in Kings Cross equipped with the latest digital projection and...
LAMIN FOFANA, larger framework of Black culture on the cusp of sound & written word, Olya Karlovich, δημοσίευση στο CLOT Magazine [23/12/2022]
Marilena Pateraki2022-12-27T00:09:21+02:00
Lamin Fofana – Unsettling Scores (2022) In his music and art practice, Lamin Fofana explores the questions of movement, migration, alienation and belonging. And not only the historical context but also...
Society? That’s us! Katia Kreuzhuber, δημοσίευση στο Ars Electronica Blog [23/12/2022]
Marilena Pateraki2022-12-26T00:32:33+02:00
It's the third pillar of Ars Electronica, and we're all a part of it: In part three of our annual review, we'll tell you what the "Society" in our name...
Room for artistic freedom, Mario Schmidhumer, δημοσίευση στο Ars Electronica Blog [22/12/2022]
Marilena Pateraki2022-12-26T00:28:10+02:00
In the second part of our Year In Review, we turn our attention not only to art, but also to the exciting stories of the people behind it. The year is...