Καλλιτεχνικά Έργα
The Pleasures and Pain of Carolee Schneemann’s Body Politics, Anna Souter, δημοσίευση στο Hyperallergic [20/12/2022]
Carolee Schneemann, "Eye Body: 36 Transformative Actions for Camera" (1963), gelatin silver print, printed 2005 (photograph by Erró, courtesy the Carolee Schneemann Foundation and Galerie Lelong & Co., Hales Gallery,...
Xylor Jane’s Cosmic Grids, John Yau, δημοσίευση στο Hyperallergic [20/12/2022]
Xylor Jane, “Love Beast” (2022), oil, ink, and graphite on wood panel, 24 × 24 inches (all images courtesy Canada gallery for Xylor Jane) I first saw Xylor Jane’s work in...
How a Landmark Feminist Show Got Erased From Collective Memory, Alexandra Schwartz, δημοσίευση στο Hyperallergic [19/12/2022]
Cynthia Carlson, “Untitled Inscape #1” (1970), Oil on canvas, 60 x 42 inches (Photo: Jason Mandella; courtesy of the artist and Richard Saltoun Gallery, London) Art critic Lucy Lippard’s first outing...
A New Group Show in Manhattan’s Oculus Highlights the Complex, Multidimensional Work of Women Artists of Color, δημοσίευση Artnet News [19/12/2022]]
Every month, hundreds of galleries add newly available works by thousands of artists to the Artnet Gallery Network—and every week, we shine a spotlight on one artist or exhibition you...
Amid Reports of Turbulence and Tension, Marc Glimcher and Laurene Powell Jobs Stepped Back From Experiential-Art Emporium Superblue, Eileen Kinsella, δημοσίευση Artnet News [19/12/2022]]
Es Devlin, Forest of Us, (2021). Installation view of Every Wall is a Door, Superblue Miami, 2021. Photo: Andrea Mora. Art-world denizens have watched the development of Superblue—the immersive art platform...
Like Looking at Water While Slightly Stoned: An Interview with Photographer Thomas Dozol, Andy Battaglia, δημοσίευση στο Art in America [14/12/2022]
Thomas Dozol: Angelica, 07.06.2022 London (01), 2022. COURTESY THE ARTIST AND TIF SIGRIDS The photographs in Thomas Dozol’s current show at Tif Sigfrids gallery in New York seem to quiver and...
Required Reading This week, a rise in nuclear fusion, the downfall of the “COVID billionaire,” holiday string lights with a twist, and how many people would actually return a lost wallet? Hrag Vartanian και Lakshmi Rivera Amin, δημοσίευση στο Hyperallergic [16/12/2022]
Powerhouse Ultimo, a museum of applied arts and sciences in Sydney, Australia, just got a new look. The selected design was chosen after a competition held earlier this year and...
Caitlin MacBride Explores the Politics of Dye, Billy Anania, δημοσίευση στο Hyperallergic [9/12/2022]
Caitlin MacBride, “Abetting Rough Parlance” (2022) (all images courtesy Deanna Evans Projects) For her latest series, New York painter Caitlin MacBride took inspiration from 19th-century dye recipe books held...