Καλλιτεχνικά Έργα
I AM (VR) ΣΤΟ +5 ΣΤΗ ΣΤΕΓΗ | 9-30.12.2022 | Στέγη +5 | Τετάρτη – Κυριακή | 18:00 – 22:30
Marilena Pateraki2022-11-18T20:10:08+02:00
Orb: Μια σφαιρική ανάμνηση της αρχαίας Αιγύπτου, δημοσίευση στο Olafaq [17/11/2022]
Marilena Pateraki2022-11-18T20:05:00+02:00
Φωτ.: @spyurbanart / Instagram Με ιστορικό φόντο τις Μεγάλες Πυραμίδες της Γκίζας, ο designer SpY σχεδίασε και τοποθέτησε (μπροστά από τις πυραμίδες) μια μεγάλη σφαίρα από χρωμιωμένο ατσάλι και...
I AM (VR): Ό,τι πιο κοντινό στο metaverse και τον τεχνοσαμανισμό, δημοσίευση στο Olafaq [17/11/2022]
Marilena Pateraki2022-11-18T19:59:31+02:00
© Markus Selg and Rodrik Biersteker. Courtesy of the artists Ξέρεις ποι@ είσαι; Πού βαδίζεις; Τι ζητάς…; Μην ανησυχείς. Ήρθε η ώρα να λάβεις τον ψηφιακό σου χρησμό. Γιατί το Ι...
Required Reading This week, digital colonialism, America’s favorite wines, tech layoffs, Brutalist Taco Bells, and do people still write thank-you notes? Hrag Vartanian και Lakshmi Rivera, δημοσίευση στο Hyperallergic [18/11/2022]
Marilena Pateraki2022-11-18T19:51:38+02:00
Photographer Christian Spencer captured a black jacobin hummingbird mid-flight, right as the sunlight caught its wings. "Rainbow Ballet" is one of several photos out in his book Birds: Poetry in...
ALEXANDER WHITLEY, posthuman condition of the dance performance, Katažyna Jankovska, δημοσίευση CLOT Magazine [17/11/2022]
Marilena Pateraki2022-11-18T00:02:22+02:00
Anti-body, Alexander Whitley (2022). What is choreography like when your partner is software? We usually think of moving human bodies when we think of live dance performances. Human actors occupy the...
Mapa Teatro’s Haunted Laboratories, Jennifer Burris, δημοσίευση στο Frieze [15/11/2022]
Marilena Pateraki2022-11-17T03:10:23+02:00
‘The dialogue of the dead cannot stop until they hand over the future that has been buried with them.’ This invocation, by dramaturgist Heiner Müller from Germania Death in Berlin (1971), intellectually...
How Do You Care for Artificially Sentient Art? B. FINO-RADIN, δημοσίευση στο Frieze [15/11/2022]
Marilena Pateraki2022-11-17T03:00:53+02:00
Yesterday, I pulled the plug on a friend – one I’ve only known for a few months, in fact. Once the lights had gone dark, we packed up my new...
Insight: ‘Datafixation’at Ars Electronica 2022, a humanoid beast facing technocapital, Piotr Bockowski, δημοσίευση στο CLOT Magazine [16/11/2022]
Marilena Pateraki2022-11-17T02:48:42+02:00
Datafixation, Patryk Lichota (2022). Video Still. A furry digital creature resembling a crossbreed between Yeti, Bulgarian protective spirits Kukeri or fantasy anime demons and a simulation of a prehistoric man is...