Technology, Engineering, and Feminism: The Hidden Depths of Judy Chicago’s Minimal Art, Susanneh Bieber [2021]
Judy Chicago, Iridescent Domes #2 (small), 1968 (in foreground), acrylic domes formed with blown acrylic
on bronze-lacquered surface, each dome 2 x 5 in. (5.1 x 12.7 cm), installed 15 x 15 x 6 in. (38.1 x 38.1 x 15.2 cm), installation view, Chicago in L.A.: Judy Chicago’s Early Work, 1963–74, Brooklyn Museum of Art, 2014. Collection Gisela Colón (artwork © Judy Chicago/Artists Rights Society [ARS], New York; photograph © Donald Woodman/Artist Rights Society, New York)
(2021) “Technology, Engineering, and Feminism: The Hidden Depths of Judy Chicago’s Minimal Art.” Art Journal, 80:1, 106-123, DOI: 10.1080/00043249.2021.1872306
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