Βιβλιογραφία
New Tendencies Art at the Threshold of the Information Revolution (1961–1978), Armin Medosch, Leonardo [2022]
An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics. New Tendencies, a nonaligned modernist art movement, emerged...
Autotheory as Feminist Practice in Art, Writing, and Criticism, Lauren Fournier, MIT Press [2022]
Autotheory—the commingling of theory and philosophy with autobiography—as a mode of critical artistic practice indebted to feminist writing and activism. In the 2010s, the term “autotheory” began to trend in literary...
The Curatorial Condition, Beatrice von Bismarck, MIT Press [2022]
An analysis of the relations created by the curatorial—relations that also constitute it. In spite of the heightened interest in the curatorial since the late twentieth century, the structural conditions and...
‘Past. Present. OId Tools. New Tools’: Watch Video Artist Beryl Korot Rewrite Ancient Text With Digital Technology, δημοσίευση Artnet News [18/11/2022]
Production still from the “Extended Play” film "Babel: the 7 minute scroll." © Art21, Inc. 2010. What does a 19th-century weaving loom have to do with computer programming? In the eyes—and...
Shapes of Imagination Calculating in Coleridge’s Magical Realm, George Stiny, MIT Press [2022]
Visual calculating in shape grammars aligns with art and design, bridging the gap between seeing (Coleridge's “imagination”) and combinatoric play (Coleridge's “fancy”). In Shapes of Imagination, George Stiny runs visual calculating...
Art Problems: Difficult Dealers, Difficult Art, Paddy Johnson, δημοσίευση Hyperallergic [18/11/2022]
(Graphic Paddy Johnson/Hyperallergic) My gallerist alienates colleagues, friends, collectors, and critics and then complains, without filter, on social media. The gallery does not represent me, but it’s hard to leave regardless because...
When Does Representation Stop Mattering? Amy Fung, δημοσίευση Hyperallergic [18/11/2022]
Tania Willard, "Liberation of the Chinook Wind" (2018), commissioned by Blackwood Gallery for The Work of Wind: Air, Land, Sea (photo Toni Hafkenscheid, courtesy Blackwood Gallery) OTTAWA — Shortly before the...
How Is Artificial Intelligence Changing Art History? Verity Babbs, δημοσίευση Hyperallergic [18/11/2022]
The AI image generator DALL-E’s response to the prompt “Mondrian painting of a tomato climbing a ladder by the sea” (courtesy DALL-E) People get up in arms whenever the hand of...