Βιβλιογραφία
AI Art Is Soft Propaganda for the Global North, Marco Donnarumma, δημοσίευση στο Hyperallergic [24/10/2022]
First four outputs of Stable Diffusion upon the prompt "a dog by Francis Bacon in a flower by Georgia O'Keefe". I am eternally sorry to Bacon and O'Keefe for having...
New Book Asks, Why Do Artists Make Art? Lauren Moya Ford, δημοσίευση Hyperallergic [15/9/2022]
Brian Alfred, Why I Make Art: Contemporary Artists' Stories About Life and Work, Atelier Éditions, 2022 (courtesy Atelier Éditions) What brings people to art making, and what keeps them going once...
“Spontaneous Revolutions” Darwin’s Diagrams of Plant Movement, Natalie Lawrence, δημοσίευση The Public Domain Review [26/10/2022]
“Diagram showing the movement of the upper internodes of the common Pea”, left, and two illustrations of Ampelopsis hederacea tendrils, drawn several weeks apart — Source: left, right. After weeks of...
Nature Through Microscope and Camera (1909), δημοσίευση The Public Domain Review
A selection of photo-micrographs created by Arthur E Smith and featured in the book Nature through Microscope & Camera (1909) by Richard Kerr. Little information is given about Arthur E Smith but we...
Albrecht Dürer’s Pillow Studies (1493), Hunter Dukes, δημοσίευση The Public Domain Review [22/2/2022]
In his early twenties, after years of wanderjahr-ing across Europe, Albrecht Dürer returned home to Nuremberg, now fully trained in his craft. During this moment of transition, the young artist completed...
Colour Wheels, Charts, and Tables Through History, δημοσίευση The Public Domain Review
Featured below is a chronology of various attempts through the last four centuries to visually organise and make sense of colour. A wide variety of forms and methods are represented:...
I Make Art With A.I. Here’s Why All Artists Need to Stop Worrying and Embrace the Technology, Agnieszka Pilat, δημοσίευση Artnet [27/10/2022]
One of Agnieszka Pilat's paintings alongside Boston Dynamics’ SPOT robot. Photo courtesy of the artist. Across social media and the art press, A.I. art is all the rage. But while some artists...
Can Commodities Really Critique Commodity Culture? Natalie Haddad, δημοσίευση στο Hyperallergic [25/10/2022]
Installation view of Urs Fischer: Chaos #1–#500 at Gagosian at the Marciano Art Foundation, Los Angeles (all photos Natalie Haddad/Hyperallergic) LOS ANGELES — For an exhibition titled Chaos, and apparently about the...