Βιβλιογραφία
Jolly Crowds of Damien Hirst Fans Showed Up For the IRL Conclusion to the Artist’s NFT Experiment. Here’s What They Had to Say, Vivienne Chow, δημοσίευση στο Artnet news [23/9/2022]
"Currency holders" in search of the art they have collected from Damien Hirst's "The Currency" at Newport Street Gallery, London, September 22, 2022. Photo: Vivienne Chow. Excitement was in the air...
Revel in These Wondrous Drawings by the Father of Neuroscience, Maris Fessenden, δημοσίευση Smithsonian Magazine [23/1/2017]
This is a pyramidal neuron, so named for the pyramid-shaped body at the center of this drawing, from the cerebral cortex of a human. This outermost layer of the brain...
The Creepy, Crawling History of Insect Art, Greg Miller, δημοσίευση στο Smithsonian Magazine [23/12/2021]
One day when Barrett Klein was a young boy, he found a dead butterfly in the driveway of his family’s house and marveled at its beauty. It was a transformative...
Real Gray’s Anatomy – Medical Illustration from an Artistic Genre to a Profession, Camilla de Laurentis, δημοσίευση Daily Art Magazine [30/3/2022]
Leonardo da Vinci, Recto: The fetus in the womb; Verso: Notes on reproduction, with sketches of a fetus in utero, etc; 1511, Royal Collection, London, UK. Detail. Since the beginning of...
History of Medicine in Art: Collection of Artworks at Wellcome Library in London, Bolor Jargalsaik, δημοσίευση Daily Art Magazine [2/9/2022]
Luciano Nezzo, A tooth-drawer concealing the dental key from the patient, 1856, Wellcome Collection, London, UK. Detail. London is a great place to be for the curious and inquisitive. Public museums,...
Agents Of Change: Plastic. Or How Plastic Became An Era-Defining Material, Benedetta Ricci, δημοσίευση στο Artland Magazine
Craig Kauffman with a work made of translucent plastic sheets. “Materials in sculpture play one of the fundamental roles. The genesis of a sculpture is determined by its materials. Materials establish...
Agents Of Change: The Internet. Net Art and How The World Wide Web Has Created A New Medium, Benedetta Ricci, δημοσίευση στο Artland Magazine
Mark Napier, The Shredder, 1998 “When the machines are on and your fingers are on the keyboard, you are in connection with some space that is beyond the screen. And this...
Blobitecture: Defining The Amoeba-like Postmodern Style, Tori Campbell, δημοσίευση στο Artland Magazine
The Kunsthaus Graz’ ‘Friendly Alien’ is a beloved piece of blobitecture ‘Blobitecture’ is a term originally intended to be an insult to the controversial amoeba-like buildings that appeared in the mid-1990s,...