Βιβλιογραφία
New Technologies, Haunted by the Ghosts of Modernity, Michael McCanne, δημοσίευση στο Art in America [1/10/2019]
Marilena Pateraki2022-09-11T12:15:22+03:00
Matthew Angelo Harrison: Dark Silhouette: Bodily Study Ungulate Composition, 2018, boar skull, antelope skull, polyurethane resin, anodized aluminum, and acrylic, 10 by 19½ by 3¾ inches. Courtesy Jessica Silverman Gallery,...
Binary Code: Two Shows on Gender and Technology, Emily Watlington, δημοσίευση στο Art in America [19/8/2019]
Marilena Pateraki2022-09-18T13:39:58+03:00
Shana Moulton: My Personal Measurements, 2019, three-channel video projection and various objects, dimensions variable. Courtesy Galerie Staiger, Zurich. Technology was supposed to be our big gender ender, at least according to Donna Haraway’s...
The Visual World of Shadows, Roberto Casati και Patrick Cavanagh [2019]
Marilena Pateraki2022-09-06T09:32:10+03:00
How the perception of shadows, studied by vision scientists and visual artists, reveals the inner workings of the visual system. In The Visual World of Shadows, Roberto Casati and Patrick Cavanagh...
Making Sense: Cognition, Computing, Art, and Embodiment, Simon Penny [2019]
Marilena Pateraki2022-09-09T21:25:39+03:00
Why embodied approaches to cognition are better able to address the performative dimensions of art than the dualistic conceptions fundamental to theories of digital computing. In Making Sense, Simon Penny proposes...
Centerbook: The Center for Advanced Visual Studies and the Evolution of Art-Science-Technology at MIT, Elizabeth Goldring και Ellen Sebring [2019]
Marilena Pateraki2022-09-06T09:22:15+03:00
The first comprehensive history of MIT's Center for Advanced Visual Studies (CAVS), told through personal accounts and groundbreaking artwork. In 1967, in a time of student unrest, the Massachusetts Institute of...
Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s, David Cateforis, Steven Duval και Shepherd Steiner επιμ. [2019]
Marilena Pateraki2022-09-11T12:16:33+03:00
Hybridity, experimental practices that bridge the gaps between art, science, and technology, while supported throughout academia, is often driven by market interests, university corporatization, and technocratic and instrumental imperatives. Hybrid Practices,...
Vital Forms: Biological Art, Architecture, and the Dependencies of Life, Jennifer Johung [2019]
Marilena Pateraki2022-09-11T12:32:42+03:00
Examining cutting-edge developments in biotechnological research—including tissue-engineering, stem cell science, regenerative medicine, and more—Vital Forms brings biological art and architecture into critical dialogue. Distinguished by its broad range and Johung’s...
The Other Art History: The Forgotten Cyberfeminists of ’90s Net Art, της Loney Abrams, δημοσίευση στο Artspace [4/1/2019]
Marilena Pateraki2022-09-18T13:19:12+03:00
In 1991 the Internet was born. That same year, the term ‘Cyberfeminism’ was coined simultaneously by British philosopher Sadie Plant and by the Australian art collective VNS Matrix. Just as...