Βιβλιογραφία
Microscale Monet is world’s tiniest full-colour painting, Michelle Starr, δημοσίευση στο CNET [3/7/2014]
The original Monet (left) and the microscale reproduction (right). Claude Monet, 1872, public domain; Singapore University of Technology A painting by impressionist Claude Monet has been reproduced in full colour in the...
Nano-scale sculptures re-create the human body in the eye of a needle, Michelle Starr, δημοσίευση στο CNET
A tiny sculpture in the eye of a needle (top) and on a human hair (bottom), Jonty Hurwitz. Nanoart may be tiny, but the field just keeps on getting bigger and...
Database Aesthetics: Art in the Age of Information Overflow, Victoria Vesna επιμ. [2007]
Discovering the role of data in creating a new way of experiencing—and making—art. Database Aesthetics examines the database as cultural and aesthetic form, explaining how artists have participated in network culture...
Technology is changing how art is made, displayed, and sold. Here’s the deal (Nadejda Alkhaldi από το itrexgroup.com) [12/11/2021]
The pandemic with its subsequent lockdowns is forcing artists to search for innovative ways to display and sell their work. And while many people welcome technologies, such as artificial intelligence...
Vision and Its Instruments: Art, Science, and Technology in Early Modern Europe, Alina Payne επιμ. [2015]
Starting with Brunelleschi’s invention of perspective and Galileo’s invention of the telescope—two inaugural moments in the history of vision, from two apparently distinct provinces, art and science—this volume of essays...
Cognitive Science and Surrealism, Albert Barque-Duran interview, δημοσίευση στο Interalia Magazine [2006]
The Origin of Species (2015), Oil on canvas (50.8 x 40.6cm), Private Collection What do Cognitive Science and Surrealism have in common? Albert Barque-Duran is a PhD researcher in Cognitive Science,...
Becoming Machine: Surrealist Automatism and Some Contemporary Instances Involuntary Drawing, David Lomas, δημοσίευση Tate Papers, No 18 Autumn 2012
Philippe Parreno, The Writer 2007, Photographic still from DVD, 3:58 minutesCourtesy the artist and Haunch of Venison, London © Philippe Parreno Examining the idea of being ‘machine-like’ and its impact on the practice of...
Information Arts Intersections of Art, Science, and Technology, Stephen Wilson [2003]
An introduction to the work and ideas of artists who use—and even influence—science and technology. A new breed of contemporary artist engages science and technology—not just to adopt the vocabulary and...