Curated by: Maria-Thalia Carras
Participating artists: Jumana Emil Abboud, Campus Νovel, Aslı Çavuşoğlu, Thanasis Chondros & Alexandra Katsiani, COYOTE, Cevdet Erek, Gianfranco Baruchello, Phoebe Giannisi, Piero Gilardi, Akira Ikezoe, Vasso Katraki, Jumana Manna, Ahmed Morsi, Hira Nabi, Abraham Onoriode Oghobase, Yiannis Papadopoulos, Alexandra Paperno, Angelo Plessas, Iva Radivojević, Kostas Roussakis, Corinne Silva, Panos Sklavenitis, Sky Hopinka, Agnès Varda, Ana Vaz, Vessel (Navine G. Dossos and James Bridle), Paky Vlassopoulou, Zheng Bo 

The central exhibition of the 8th Thessaloniki Biennale of Contemporary Art, titled Being as Communion, is a reflection on co-existence. Co-existence with those around us and co-existence with the more-than-human, with the critters, forests, with the gardens of our earth, but also with the shadows of our past, with our dead and with those to come.

The exhibition constitutes an attempt to shine a soft light through the current fog of uncertainty and barrage of dark predictions. It asks whether we can imagine new forms of being, new ways of living, but with the understanding that we can only truly do so in collaboration.

The exhibition traces past artistic practices that envision ways of working with the earth, create radical pedagogical tools, pioneer ecological activism and broaden the horizon of how we can live together. Contemporary works foretell multiple forms of communion: with the fragile past of our host city, with forests, with the soil, with animals, and with one another. Understanding of indeterminacy, the twenty-eight artists and artist collectives taking part in the exhibition probe, question, and offer their responses. These contain ruptures, seek realignment of injustice and offer tentative understanding, nurturing and care. The artists imagine multiple forms of organizing, of living and of loving.

Being as Communion testifies to the challenges of imagining possible futures for a city so rooted in the past. Thessaloniki, with its 3000-year-old history, Hellenistic, Roman-Byzantine, Ottoman, contemporary, with all its highlights and failures, allows for a more expansive understanding of time. How do we talk about living together, of our relationship with futurity, in environments and cities whose past ‘togethers’ have all but vanished?’

Being as Communion finds affinities with the ghosts of the city, seeking to live with them and narrate their stories anew. It calls for a rethinking of the co-existence between living and dead, and with the human-animal-forest-plant world around us. Being as Communion asks us to take stock of how the living world around us makes us feel, and how we in turn make it feel. So that in the time we have, we can cherish and celebrate the frictions and joys of mutual living.

Being as Communion unfolds in ten different host sites that function as small exhibition hubs throughout the city of Thessaloniki. Each site links with a particular period of the city’s history.

Architectural design: Evita Fanou
Catalogue design: Studio Lialios Vazoura
Assistant curators: Manto Psarelli, Foteini Salvaridi
MOMus Production: Theodore Markoglou, Katerina Syroglou
The central exhibition is a part of the broader program of the 8th Thessaloniki Biennale of Contemporary Art under the title Geocultura, that seeks to tackle environmental issues head on. Firmly believing that art broadens our understanding of the world, the Biennale seeks not only to raise environmental awareness, but also to multiply future possibilities, with new claims and visions, while aspiring to serve as a means of communication with the world, as an act of justice and freedom, of trust and progressive thinking.
Director: Thouli Misirloglou

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