Digitized Memories and Machine Hallucinations – Refik Anadol’s AI Data Paintings and Sculptures, Adam Hencz, δημοσίευση στο Artland Magazine

Refik Anadol, Machine Hallucinations – Space: Metaverse.

Turkish media artist and director Refik Anadol has established his name as a pioneer in the aesthetics of data and AI art, captivating audiences around the globe with his awe-inspiring installations. He works in the intersections of science, technology, and art and coined the term “AI Data Painting and Sculpture” in 2016 when he was Google’s artist-in-residence. He currently runs the Los Angeles-based Refik Anadol Studio and RAS LAB, developing unique data narratives and combining cutting-edge machine intelligence with aesthetics, working across disciplinary boundaries.

The AI and Data Sculptures of Refik Anadol

Refik Anadol predominantly works in the realm of site-specific public art, crafting meticulously collected data points into live visual performances and immersive installations. His works, in particular, examine the latent space between digital and physical things by combining AI, architecture, and multimedia.

The data that flows around us is the basic component of his pieces. He works with computerized neural networks as his collaborators, offers radical visualizations of digital imprints such as memories, and expands the possibilities of architecture and visual narratives. Anadol’s data sculptures take numerous forms, urging us to reconsider our relationship with the physical world, its temporal and spatial dimensions, and the boundaries of human and machine creativity.

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Digitized Memories and Machine Hallucinations – Refik Anadol’s AI Data Paintings and Sculptures, Adam Hencz, δημοσίευση στο Artland Magazine