The mystery of the music in the brain is far from being understood. Through his career and while exploring brain music interfaces, quantum computing, cognition and biocomputers, Eduardo Reck Miranda take us into a field of possibilities for the future (of) music. Unlocking new opportunities and crossing boundaries of medical science and arts, we here discuss why music technology offers (again) new perspectives for music composition.

Eduardo Reck Miranda’s distinctive music is informed by his unique background as an Artificial Intelligence (AI) scientist and classically trained composer. He is internationally known for his research in neurotechnology for music and is championing investigation into quantum computing for musical creativity. Eduardo was a research scientist in the evolution of language group at Sony CSL Paris. He is a professor at the University of Plymouth, UK, where he leads the Interdisciplinary Centre for Computer Music Research (ICCMR). Currently, he is working with Quantinuum to develop applications of quantum computing in music. His opera ‘Lampedusa’, composed with sonification of subatomic particle collisions and live-electronics was premiered by BBC Singers.

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