Έκθεση Rafael Lozano-Hemmer, “Common Measures”, Pace (New York) [9/9–22/10 2022]
Known for his critical and poetic digital artworks, Lozano-Hemmer incorporates a wide range of technologies in his practice, including artificial intelligence, robotics, interactive fountains, computerized surveillance, and mapped projections. Situated at the intersection of architecture and performance, his often participatory, public-facing works have been inspired by phantasmagoria and animatronic traditions. Through his installations, Lozano-Hemmer has examined social and political issues; literary histories; and natural, scientific, and physiological phenomena.
Lozano-Hemmer became the first artist to officially represent Mexico at the Venice Biennale in 2007. His work can be found in the collections of the Museum of Modern Art, New York; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the San Francisco Museum of Modern Art; the Musée des Beaux Arts de Montréal; Fundación Jumex Arte Contemporáneo, Mexico City; Amore Pacific Museum of Art, Seoul; Tate, London; and many other international institutions.
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