Καλλιτεχνικά Έργα
Plants in a Garden, Tended by Machines. A Conversation with Nora N. Khan, Andrea Bellini, δημοσίευση στο Flash Art [25/10/2022]
Zürich, ETH Zürich, Hauptgebäude (HG), Kuppel. Andrea Bellini: As a curator and writer, you have stood out in recent years for your focus on both the rhetorical politics of software and...
Still Hurting From the COVID Pandemic, DJs Turn to Digital Platforms, Carlos José Jijón, δημοσίευση στο Hyperallergic [26/10/2022]
Journalist and DJ Chase Cofield in the middle of a set (photo by Alex Cardona, all images courtesy the artists) The use of technologies such as NFTs and live streaming has...
Photographing History’s Silences and Gaps, Jennifer Hattam, δημοσίευση στο Hyperallergic [26/10/2022]
Installation view of Sim Chi Yin, ‘One Day We’ll Understand’: Interventions, Remnants, Requiem at the Pera Museum, Istanbul (all photos by Sahir Uğur Eren) ISTANBUL — When Singapore-born artist Sim Chi Yin came...
ΣΥΝΕΝΤΕΥΞΗ Μανώλης Μπαμπούσης: «Συνεχίζω την παραγωγή και δημιουργία ουτοπίας», Θύμιος Νικολόπουλος, δημοσίευση The Art Newspaper Greece [21/10/2022]
Μια συνομιλία με τον φωτογράφο, εικαστικό, αρχιτέκτονα και ποιητή εν όψει της έκθεσης «ο κήπος» που ξεκινάει σε λίγες ημέρες στην ΑΣΚΤ. Ένα πάρκινγκ όπου φύτρωσαν τριανταφυλλιές, ένας τοίχος από τσιμεντόλιθους...
The Absurdist Surrealism of Remote Working, Louise Darblay, δημοσίευση στο ArtReview [25/10/2022]
Mika Rottenberg and Mahyad Tousi, Remote (still), 2022 © Mika Rottenberg and Mahyad Tousi. Courtesy the artists and Hauser & Wirth Mika Rottenberg and Mahyad Tousi’s Remote imagines a future lockdown with a...
Me and the Machines, Magdalena Sick-Leitner, δημοσίευση στο Ars Electronica Blog [17/10/2022]
Since September, the new exhibition "Me and the Machines" has been awaiting you at the Ars Electroncia Center. In the new exhibition “Me and the Machines” at the Ars Electronica Center,...
Event: Rebecca Salvadori – The Sun Has No Shadow, two evenings of film & music, δημοσίευση CLOT Magazine [25/10/2022]
The Sun Has No Shadow, Rebecca Salvadori (2022). Video still. Rebecca Salvadori is a London-based video artist and experimental filmmaker with a long trajectory in filming environments following a non-hierarchical/chronological layering and...
Can Commodities Really Critique Commodity Culture? Natalie Haddad, δημοσίευση στο Hyperallergic [25/10/2022]
Installation view of Urs Fischer: Chaos #1–#500 at Gagosian at the Marciano Art Foundation, Los Angeles (all photos Natalie Haddad/Hyperallergic) LOS ANGELES — For an exhibition titled Chaos, and apparently about the...