Καλλιτεχνικά Έργα

Καλλιτεχνικά Έργα

Καλλιτεχνικά Έργα

Studio Animaspace & Arina Kapitanova, unorthodox applications & ‘misusages’ of technology, Christopher Michael, δημοσίευση CLOT Magazine [21/10/2022]


Coordinated°, Studio Animaspace & Arina Kapitanova (2022) When Angelina Kozhevnikova (who works as Animaspace) and Arina Kapitanova met at Berlin’s School of the Machines, there were too many coincidences for them...

The Iranian Rebel Women of Soheila Sokhanvari, Shira Wolfe, δημοσίευση στο Artland Magazine [21/10/2022]


Detail of Rebel (Portrait of Zinat Moadab), 2021 © Soheila Sokhanvari. Courtesy of the artist and Kristin Hjellegjerde gallery. “I hope that visitors will revel in the opportunity to learn about...

Frieze London 2022: Which Painters Are On The Rise? Alice Godwin, δημοσίευση στο Artland Magazine [21/10/2022]


Lisson Gallery, Frieze London 2022. Photo by Linda Nylind. Courtesy of Frieze and Linda Nylind. The dust has settled over Frieze week in London and the jury is in – painting...

Female Iconoclasts: Vera Molnár, Pioneer of Early Computer and Generative Art, Adam Hencz, δημοσίευση στο Artland Magazine [21/10/2022]


Portrait of Vera Molnár from 1961. Courtesy of Galerie Oniris, Rennes. Vera Molnár, a founder of early computer and generative art, radically helped establish the parameters for geometric abstraction, focusing on form,...

More Than Living, Galerie – Cité internationale des arts [22/9-22/10/2022]


More Than Living 27 Sep — 22 Oct 2022 Location: Galerie - Cité internationale des arts More Than Living is an exhibition illustrating the links between contemporary art, health, biomedical research and the way...

Artist Marcus Coates Asks: How Does Psychosis Feel? Adam Hines-Green, δημοσίευση ArtReview [18/10/2022]


Marcus Coates, The Directors (still), 2022, single-channel HD video, 16 min 51 sec. Courtesy the artist and Artangel, London The Directors at Churchill Gardens Estate, London attempts to understand the ‘un-understandable’ The psychiatrist...

Η πολυμεσική φαντασίωση του Ανδρέα Αγγελιδάκη στο Espace Niemeyer του Παρισιού, δημοσίευση Olafaq [21/10/2022]


Το Ίδρυμα Espace Niemeyer ιδρύθηκε αφού το κτίριο χαρακτηρίστηκε ως ιστορικό μνημείο το 2007 για να εξασφαλίσει τη συντήρησή του, συγκεντρώνοντας κεφάλαια από την εκμετάλλευση των εξαιρετικής αισθητικής χώρων του. Συνδυάζοντας τη μορφική σαφήνεια...

This Year’s Singapore Biennale Is Named Natasha, δημοσίευση Hyperallergic [21/10/2022]


Installation view of Haegue Yang’s The Hybrid Intermediates – Flourishing Electrophorus Duo (“The Sonic Intermediate – Hairy Carbonous Dweller” and “The Randing Intermediate – Furless Uncolored Dweller” (2022), part of...