The title of the exhibition “We Unleash Storms, Yet We Like the Sun” could be a tag on a wall. Or alternatively it’s that poetic phrase that you would stumble upon while scroll- ing your tumblr feed, so very millennial, or it’d be the kind of statement printed on some t-shirt, so very fast-fashion and pseudo-punk. Yet, if we travel back in time and we land in the sunny alleys of Naples in the 70s, we could have heard this very phrase in the midst of those busy streets, shouted at the top of the lungs by students, queers and hippies attending protests in rutilant public squares. Let us retrace the timeline in between: a surge of identity politics worldwide and in the specific case of Italy, the ebb in the private.

The exhibition features works by Lina Pallotta and Caterina De Nicola. Two artists who share similar artistic approaches. Photographs dating back to the 90s of Porpora Marcasciano, trans activist and writer, feature alongside embellished walls made of screws and translucent balls scattered on the floor. The never-ending trip of a lifetime in a constant process of pushing borders forward placed side by side with the dysfunctional meltdown of once-useful tools.

More contextual elements. It’s a herstory of real dreams, utopian practices and wet intimacies. The landscape you are witnessing is reminiscent of the 70s in Italy, a virtual civil war (T. Negri), where leftist groups, students, creatives were imagining another world; or, queer and trans people were making their way out of the closet through a movement of self-narration, mythopoiesis and discovery.

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